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Although all speakers have the same basic design principle they differ in what components that are used and how these are tweaked in order to get a specific tone.Ĭhoosing speakers is a bit like buying a distortion pedal.
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I’m sure many will disagree but it is crucial for your tone that the speaker is able to correctly translate the signal coming from your guitar, pedals and amp. The speakers are perhaps the most important component in an amplifier. This will allow you to get a more balanced monitoring (mixed with front stage monitors) and you’ll also be more able to incorporate the huge tone into your playing with feedback effects etc. A combo will also go nicely in smaller clubs but usually you’d want something bigger like a 50-100w 2-4×12 stack for 500 seats and above venues. These are much easier to both tame and mic properly. In general I would say that for playing at home and studio recording, I’d go for a 5-30w combo. However, size and wattage do matter in terms of how the amp operates. A handbag-sized ZT Club would surely blast a Marshall MA50 stack to pieces. Likewise, size doesn’t say much about how loud an amp is. That may very well be, considering the points above, but technically, a 100w is twice as loud as a 10w. Also, a common misconception is that a 100w is twice as loud as a 50w. We perceive sound differently and our ears will either enhance or compress certain frequencies and transients, making us believe a sound is either lower or higher than it really is. The actual volume is a combination of many things, including the amp’s construction and design, the speakers and their output level, tubes and not least the frequency spectrum of the amp. Wattage doesn’t necessarily say anything about how loud the amp is. Another tone freak, Billy Gibbons, swear by his Marshall JMP-1 rack units for recording. Another great example is Brian May, who is well known for his wall of VOX amps on stage but many of his trademark solos were recorded with a small home made 10w solid state amp with a 6 inch speaker. All for getting the tones he needs for that particular song. He’s using the Hiwatt and WEM setup too but in recent years especially, he’s often employed a wide range of smaller amps like the Hiwatt SA212, Fender Bassman, Twin and Princeton, Gallien/Krueger etc. How will you be using the amp? Are you mostly playing in your bedroom, a small studio, clubs or bigger venues? Do you use a lot of pedals or are you more of a plug-and-play kind of guy?Īlthough fairly consistent with Hiwatts in his live rig, like most guitarists, Gilmour has always experimented with his recoding setups. Bring your guitar to your local guitar store, check out reviews and YouTube clips to get an idea on what’s available. My best tip is that you spend some time checking out different models. The amp could either be a head with one or more speaker cabinets or a combo, with the amp section and speaker cab combined. The signal is then fed into the power amp, which gives the power to drive the speakers. Most amps allow you to manipulate the pre-amp signal with a number of gain and EQ controls. A tube amp consist of a pre-amp section that takes the small signal from your guitar and amplifies it enough to drive the power amp section. This will ensure the best fundament for your tones and playing. I strongly suggest that you buy a guitar and amp before you spend all your savings on pedals. Choosing the right amp for your setup is crucial for getting the tones you want from your guitar and pedals. An instrument amplifier isn’t just a box amplifying your playing. People tend to prioritize guitars and a bunch of pedals and forget the importance of a good sounding amp. Not only for your technique and rig but also for inspiration to play and create music. We also looked at the importance of choosing the right guitar. In the previous parts, we’ve looked at how we perceive tone and that tone is a very subjective experience.
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Which amps you should choose for your setup and how to get the tones you want. In this third part of the feature, we’ll look at amps. Just what is tone? What is a good tone and how do you achieve it? I’m sure there are as many answers to this as there are guitarists. In this 4-part feature I’m going to look at the grandest and most difficult topic of them all – tone.